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welcometothedeepdive

todayweredivingintouhwatermargin

notjustanywatermarginthoughwelookingatexcerptsyouspecificallychosefromthepreficeandopeningchapteroftheseventyonechaptereditioneditedbyjishhingington

yeah

thisversionisfascinate

becausewelljinshingingtonwasntjustaneditor

hewasAAuhaliteraryscholarwrestlingwiththetextideas

youknowhiscommentaryasawholeotherlayertothestory

okay

sobeforewegettocontaryletssetthescene

thetitle

itselfwatermarginimeansnotjustarandomchoice

right

whatsthesignificancetherewatermarginreferstoamarshland

aplaceontheedge

societywereoutlawstogether

hthisimmediatelysetsthestageforthe

forthenovelcentralthemerebellionagainstcorruptauthority

rightfromtheprefestjunchhingtonraisesthequestionofwhetherthehundrednidoutlawswererealhistoricalfiguresorcreationsoffokler

umbluringthelinesbetweenhistoryandfition

yeah

thatblurringissocommoninhistoricalfiction

butimguessing

itwasespeciallytrickyforjishhankcanyouknow

giventhetimeperiod

hewaswritinginabsolutelyhewaslivinginatime

whenconfutionismwasthedominantideology

emphasizingloyaltytotheemperor

itupholdingsocialorder

buthereheiswritingaboutuhabandofoutlawsrebellingagainsttheverysystem

confusiismsupported

sohowdidhereconcilehisadmirationfortheseoutlovewiththeprevailingconfusionbelievesthatseemslikeuhquitethetightropetowalk

hedoesntverycleverlybydrawingparallelsbetweentheoutlawsandrevewredfiguresfromancientchinesehistory

forexample

hecomparesthemtoboyeeandtigonindividualsknownfortheirintegrity

whochosetofleakrurutrulersratherthancompromisetheirmoralsbyairliningtheoutlawswiththeserespectedfigures

ginchingtonattemptstojustifytheirrebellion

withinthecontextofconfusiism

itsoundslikehesayinglookeveninancienttimes

theresituationsweregoingagainstauthoriitywasmorallyrightthingtodo

exactly

andthisdilemmajinshhingtontonfacewasntjustyouknowpersonal

itreflectsabroadertensioninchinesesocietybetweenupholdingtraditionandembracingchangeit

itraisesquestionsaboutindividualmorality

versus

societalexpectations

whicharestillrelevant

todayithinkthats

whatmakesdivingintotheseclassictext

sofascinatingtheygraplelewithtitimelesshumanstrugglesthatwerestillfiguringoutcenturieslaterabsolutely是nowgoingbeyondcommentary

anotherthingthatstruckmewashowjishhingtonusesthisliterarytechniquecalleswedgetointroducecharactersandplotelements

okayiadmitwhenifirstsawwage

ithoughtwhatsigottodowithliteraturecanyou

canyouexplainthatabitfurtherimagineawagebeingusedtosplitsomethingopenrightstartsmallandgraduallywidenesthegap

jinshanancanusesthismetaphortodescribehowweintroduduceaseeminglyunrelatedeventsthatsuddenlybuilduptosomethingsignificantinsteadofdirectlysayingthesehundredandeightoutlawsaregoingtorebelthestoryunfoldsthroughachainreactionofevents

sogivemeanexamplefromtheexcerpt

howdoesthisuhthiswedgetechniqueactuallyplayout

wellitstartswithaplagueoutbreak

thisseeminglyrandomeventforcestheemperortosumonousallestialmastertoperformrituallstoappeasetheheavens

对 嗯

butaswereadthisritualinadvertentlyendsupunleashingtheoneundertainedoutlaws

ohwow

soitslikeeacheventsetsthestageforthenextoneleadingtothismajorturningpoint

itsreallysudtledbuteffective

icanseehowthatwouldbuildsuspenceanddrawthereaderinexactly

andthewedgeisntjustaclevertoolforwatermarginitsatechniethatsbeenusedinliteratureforcenturies

thinkabouthowmysterynovelslowlyrevealclues

orhowabackstorygraduallyunfoldstorevealacharactersmotivations

但是

jinjhingtonwasamasterofusingthistechniquetoadddebththingcomplexitytoastorytellingyeah

itmakesyouappreciatetheartistrybehindthestory

howwell

theseseeminglysmalldetailsarecarefullycraftedtohavealargerimpact

absolutelythespeakingofimpactfuldetails

ginshhingingtonusesfourshadowingandsymbolismtocreateasenseofimpendingchaos

thehallofsubdoingdemonsforexampleisthisheavilyguardedsealedchamber

imeantheimagaryitselfisprettyloadedwhenyousayoh

forsure

itslikethatphrasehpandororsbox

youjustknowsomethingbad

itsgoingtohappen

whenthatsealisbroken

andthentheresthatinscriptiononthestonetablet

whichisawholeotherlayerforshadowing

right

thedescriptionreadstobeopenedbysomeonenamehong

itsuhprettyclearforshadowing

especiallyconsideringwehavethischaracterhongtaiiiwaythearrogantimperialonvoywhoofcoursearrogtlyassumestheinscriptionisreferringtohimandblundersintoopeningthechamber

itslikewatchingatrainrecackonslowmotion

youknowitsgoingtobebad

butyoucantlookaway

thats

thebrillianceofjenchingconsattireheuseshongtaiwayssarroganceandnaivitytocriticizethoseinpower

whoblbldeddedtheirtheirselfselfimportance

anditcreatesuchastartcontrastwiththesolestialmaster

whoisportrayed

iswisecautiouswarningagainstopenthechamber

okay

butholdonwhyisthechambersealedinthefirstplace

whatssodangerousaboutitwellthats

whatwegettotheheartofthestory

thehundredandeightoutlasstheyrerefertosdedemonstrappedwithinthechamberwaitingtobeunleasedupontheworld

holdupdemons

butwewerejusttalkingabouthowjishshhingtonwastryingtojustifytheirrebellion

portrayingthemasheroesinaway

whycallthemdemonsthemahthatswherethecomplexityofwatermarginandginshhingtononsinterpretationofitcomesinitchallengesourassumptionsaboutwhoarethegoodguysandbadguys

especially

whenwebringtowecossmogyintothepicture

okayimintriguedtellmemoreaboutthis

thistowestperspectivetowesmusedtheuniverseasaconstantinterplayofopposingforces

yannandyoung

theseforcesesarentseenaspurelygoodorevil

theircomplementaryeachnecessaryforbalance

soyouresayingeventhesedemonswhorepresentchaosanddisruption

mighthaveannecessaryroletoplayinthegrandschemeofthings

exactly

andthatswherethestorygetsreallyinterestingistherereleaseagoodthingorabadthing

aretheytrulyincontroloftheirdestiny

oraretheymerelypondsinalargercosmicgame

thosearesomeheavyquestionsandimguessingwillbeexploringthosefurtheraswedivedeeperintothestory

butbeforewemoveontothosehundredandeightoutlaws

theresoneelementfromtheexcerpt

thatimcuriousaboutthatblackcloudreleasedfromthechamber

whenhungtaiwayopensit

thatsnotjustarandomweatherevent

rightdefinitelynotitsapowerfulsymbolofthechaosandrebellion

thatsabouttobeunleashedginjangingonusesvividimagerytodescribethescene

wecanpracticallyfeelthedarknessandredasthatblackcloudingulfsthesky

itslikenatureitselfisreactingtothisdisturbanceinthebalance

haveafeelingthingsabouttogetveryinteresting

youcouldsaythatweveonlyjustscratchthesurfaceofthisepictail

butwiththesekeyelementsinmind

ithinkwerereadytomoveontotheheartofwater

marginthehundredandeightoutlawsthemselvesallrightsobuggleupeveryonebecauseinparttwoweredivingintotheindividualstoriesandmotivationsoftheselegendaryoutgures

wellseehowtheiruniquejourneysandinteractionscreatedtapeststory

perperononaryofdedelinger

theultimatelyrebellion

theweendedpartone

ontheedgeofaclifinger

thereleaseofthoseahundredandeight

eightoutlawstheyrecalleddemons

butimumimstillgrapplingwiththatlabel

especiallyconsideringhowjhnshanktonseemstobepresentingthemasheroesintheirown

righthowdothosetwoideasgoexistitsattentionthatrunsthroughoutthenovel

anditreallygetstotheheartofginshhantsinterpretationrememberwetalkaboutthetowestconceptofyandyyang

yeah those

thoseopposingforcesthatareactuallycomlimentary

exactlyitsnotaboutgood

simplivebleina

inasimplisticway

geninshanktonseemstobebeggestingted

thateventhosedisbeledisdemonssahthosedisrupttheestablishedordermightactuallybeagentsofnecessarychange

soarewecipbtoarerootefortheseoutlaws

theneventhoughtheyrecausingchaosandgoingagainsttheemperor

iknow

idontthinkitsaboutpickingsigns

whatimevenismorenuoncethanthatitchallengesustolookbeyondthoseeasylabelsofheroandvillainandfelder

thecomplexitiesoftheirmotivations

theiractionsandthecontextsareoperatingwithinthose

thinkingaboutthosetwoencounterershungtaiwwayhasbeforeopeningthechamber

thetigerandthesnakethosefeltverysymbolicalmostlikeforshadowingthetypesofoutlaws

wemightmeetabsolutelythetigerwithitsrawpowerandferositycoulddefinitelyrepresentthoseoutlawswhorelyonphysicalstrengthandarequickactandthesnakewithitscunningandsteffmightforshadow

thosewhoaremorestrategicpreferingdeceptionincalculatedmoves

andletsnotforgetthattheseencountershappentohungtaghwaywhorepresentstheveryauthority

theseoutlawsarerebellingagainstthats

thatsagreatpoint

itsalmostasifnatureitselfintheformofthesepowerfulanimalsisrisinguptochallengethecorruptionandimbalancewithinthehumanworldwhichmakesmethinkabouttheinscriptiononthechamber

theonethatsaystobeopenedbysomeonennamedhong

wasitjustcoincidence

thathunttaiwaywastheonetoopenit

orwasitdestiny

ahtheagelledquestionoffateversusfreewillwatermarginscertainlydoesntgiveaclecleansanswer

butitraisesthequestion

beautifullyright

ononehand

youhavetheconscription

thatseemstopredestinedhunmtaiwasroleinunleasingtheoutross

butontheotherhand

ithisownarroganceandchoicesthatleadhimtothatmoment

doyoudoyouthinkhecouldhavechosendifferentlycouldhehaveheatedthecelestiialmasters

warningsandleftthechambersealed

ihonestlydontknowitslikeevenifhehadtriedtoresistwouldfatehavefoundanotherwaytomakesurethatchamberwasopenisit

isitpossibletoescapeonesdestiny

thatsthe

thatstheintriguingthingabouthowgenchenktenwhavestheseideastogether

itsnotasimpleeithersituation

itsatapestryofindividualchoicesinteractingwithlargerforcesbeyondourcontrol

anditmakesmewonderabouttheceletialmaster

heseemstoacknowledgethatthereleaseoftheoutlawsisinevitable

almostlikeheacceptsitaspartofalargercosmicplan

thatssucha

suchakeypoint

heunderstandsthateventhoughwhatmightbringchaosthisdisruptioncouldalsobenecessarytorestorebalancetimayybetherebelionantitselfevenwithallthispotentialforviolenceinapevialisactuallyacorrectiveforce

itslikethesystemhasbecomesocorrupt

sooutofwac

thatsomethingdrassdichniquetohappeniswhobettertoshakethingsuponehundredandeightlargerthanlifefigures

whorepresentthefullspectrumofhumandesiresandfws

whichbringsusbacktothatnumber

ahundredandeightisthereanysignificancetothatnumber

specificallyiwaswonderingaboutthattooitseechenglikemorethanjustAHsurrandomnumberofaboutlaws

youreabsolutelyrightinchineseerorologyandcosmology

onehundredeightrepresentsthetotalityofearthlydesiresintemptations

itstiedtothecycleofreincarnationandthechallenges

wefaceinourhumanexistence

itstihundredeightoutlawsarentjustindividuals

theyembodiedsomethingmuchlarger

preciselytheyrepresentthefullspectrumofhumannature

thegoodinthebad

thenobleandtheselfishallmixtogether

itmakesmethinkofthoseclassicarchitypes

esthoughthetricster

thewarrior

thesage

weseethosepatternsrepeatedthroughouthistoryandacrosscultures

exactlyandthatswhatmakesthesecharacters

eventhoughthatoutmatheseoperatingoutsidethenormsofsocietysouniversallyrelaatabletheyremindus

thatweallhavethosedesiresandtemptationwithinusthoseinternalstrugglesbetweenwhatsrightandwhatwemightbetemptedtodo

butiftheseoutlawsrepresentthosedesiresandtemptations

doesthatmeantheirdestinetofail

aretheyfightingalosingbattleagainstffeitselfitsaquestionthatlingersersthroughoutwatermargin

aretheytrulyincontroloftheirdestiny

oraretheyplayingoutpredeterminedrolesinacosmictrauma

jinshanktondoesntgiveusthesetheanswers

butheinvitesustoconsiderthosequestions

aswejourneyalongsidethesecharacterssoivetalkedaboutrebellionfatesymbolism

itfeelslikeweveonlyjustscratchthesurfaceofthisepictaeewebutbutithinkwevemadeagoodfoundationforunderstandingwhatmakesthisparticularversionofwatermarginastoldbygeneshaningtonsounique

rightitsnotjustaretellingofanoldstory

headdssomuchdepthandcomplexitythroughhiscommentaryandhisinsightfulobservations

throughthecharactersandtheams

andisfocusonthoseliterarytechniqueslikethewedgeandtheuseofsysybolismsounieleatesthestoryretellingtoawholenewlevelspeakingofthosetechniquesletsgobacktothetigerandsnakecounters

theyweresovivid

soevovocative

itmakesmewonderwhatothersymboliccreaturesoreventsmightbewaitingforusaswemovevefurtherintothestorythatsagreatquestion

andit

itgetstotheheofwhatmakeswatermarginssocaptivatingitsastorythatkeepsyouguessing

keepsyouontheegviyourseawonderingwhattsgoingtohaveennext

andihaveafeeling

thatthoseembolicelementsarentyouonforentertainmenttheyreprobablyhinkinggetdeeperthemes

andmaybeevenforshadowingwhatstocomeforourhundredandeightoutlaws

exactlyjinchingingtonwasmmterterweavingtogethermultiplelayersofmeaningintohisstorytellingsowevelaidthegroundwork

weveexploredthecontextinthetheenmesnowimimreadytomeetthoselegendaryoutlaws

metooinpartthreewilldiveintotheheartofthestory

andmeetsomeofthesefascinatingfigures

eachonehastheirownuniquebackground

theirownreasonsforjoiningtherebellionandtheirindividualstorieswillhelpusunderstandthemotivationsandcomplexitiesofthisepicuprising

okaysowevebeentalkingaboutrebellionandfateandfreewill

butitfeelslikewevescratchchthesurfaceofofthisepictail

youknowwehave

butithinkwevelaidagoodfoundationforunderstandingwhatmakesthisparticularversionofwatermarginhastoldbyjenshanktownsouniqueitsright

itsnotjustaretellingofanoldstory

headdssomuchdepthandcomplexitythroughhiscommentary

andyouknowhisinsightfulobservationsonthecharactersandtheammes

yeah

andhesfocusonthoseliterarytechniqueslikethewedgeandtheuseofsymbolism

elevathestorytetellingtowholenewlelellspekingking

thosetechniquesletsuhletsgobacktothetigerandsnakeencounters

是的 对的

youknowtheyweresovivic

soavoccative

itmakesmewonderwhatothersymboliccreaturesoreventsmightbewaitingforus

aswemovefurtherintothestory

thatsa

thatsagreatquestion

anditgetstotheheart

andwhatmakeswatermarginsocaptivatingitsastorythatkeepsyouguttingsing

keepsyouontheedge

yourseatwonderingwhatsgoingtohappennext

andihaveafeeling

thatthosesymbolicelementsarentjustthereforentertainment

theyreprobablyhintingatdeeperthemesandyybebeevenforshadowingwhatstocomeforonehundredandeightoutlawsexactlygenshhingtonwasamasterofweavingtogethermultiplelayersofmeaningintohistorytellingsowevelaidthegroundwork

weveexploredthecontextinthethemes

nowuhnowimreadytomeetthoselegendaryoutlaws

metoointhispart

weregoingtodiveintotheheartofthestoryandmeetsomeofthesefascinatingfigures

eachonehastheirownuniquebackground

theirownreasonsforjoiningtherebellionandthoseindividualstorieswillhelpusunderstandthemotivationsandthecomplexitiesanduhthisepicuprisimeimpictuinglikethisgrandtapistryeachoutlawadifferentthread

eachwiththeirowncolorandtexture

butallwoventogethertocreatethisincrediblecomplexpictureofrebellion

thatsa

thatsabeautifulwaytoputitinasyoujourneythroughwatermarginpayattentiontoknowthejinshanktenbringsthoseindividualthreadstogether

umhowdotheirpersonalitiesclashhowdotheirstrengthweaknessescomlimenteachotheranduhandopenlyhowdotheirindividualchoicescontributetotheoverallarcoftherebellion

thishasbeensuchafascinatingdeepdive

wevegonefromknowthesymbolicmeaningofthetitletotheintricacesoftowestcosmologyallthewaytotheindividualmotivationsofthesehundredandeightoutlaws

itsreallyandiandhopethis

thisgiveyouadeeperappreciationforjishshhgtensmasterfulstorytellingandisencycleinterpretationofthisclassicpaildefinitelyhasforme

butbeforewewrapupiahiwanttoleaveourlistenerwithonefinalthoughtsomethingtoponderastheycontinueexploringwatermarginontheirown

iftherereleaseoftheseonehundredandeightoutlaws

theseembodimentsofhumandesiresinflawswasindeed

priorobdained

doesthatmeantheirrebellionwasinevitable

doesitdiminishtheirindividualstrugglesinsacrifices

ordoesitperhapsmaketheirstoryevenmoretragicknowingthattheymightbefightingagainstforcesbeyondtheircontrol

wow

thosearequestions

theygobeyondworld

worldwatermargin

youknowahtheymakeyouthinkaboutthenatureofrebellion

aboutfightingforwhatyoubelieveinevenwhentheauthersstkedagainstyouabsolutelyandperhapsisyoujourneyalongsidethesehundredmateoutlawswolldiscoveryourownanswerstothosequestions

thats

whatgreatnoteteenddone

thanksforjoiningusonthisdeemeddiveuntilnexttime