From the long, hard running American interstate comes the latest incarnation of alt-country anti-hero Mark Browning. With disdain for the singer-songwriter stereotype and a spirit of collaboration, the collective 'OX', has become Browning's new voice for the deconstructed pop song and the anthem of the musically disenfranchised. The concept is plain, reflect the hardness of this land, the spirit of the folks living on it, and blow it out like diesel exhaust. After all, it's only rock & roll. The debut OX: DUST BOWL REVIVAL (to be released December, 2002) is a collection of studio weary fragments, fragile masterpieces, sonic accidents; a candid album in the truest sense. Recorded live to analog tape and spliced cassette demo recordings made across the mid-west, DUST BOWL REVIVAL is literally, a record of a record; a behind the scenes look at recording an album. Production, exposed; a musical affirmation that the air in the room is part of the song, that space is part of the song, that the musical scaffolds of