Between 1889 and 1910, there were over ten thousand bands in the United States. Hardly any event could be properly observed without a band. In 1895, close to one hundred and thirty-six bands could be seen marching in the 'Knights Templar' parade held in Boston. The majority of bands in this era, however, were local – town or industrial groups. A town wasn’t a town without a band. A circular or octagonal bandstand was erected in the park or on the square, and the concerts were underwritten by the merchants of the town. Families sat in farm wagons or fringed-top carriages or on the grass, and the aroma of hot dogs, roasting peanuts, cotton candy and popcorn filled the air. These town bands were the prelude to the massive concerts on the mall held today. The fact that the concert band has survived the inroads of the phonograph, motion pictures, radio and television is in itself a tribute to the leaders, musicians and audiences which helped to raise the standard of its musical performance. ‘Echoes Of The Mall’ is a vigorous collection of band renditions to suit every taste and temperament. There are patriotic marches such as Worthy Sons Of America, a stirring selection that inspires all of us to make a greater and stronger effort in being valuable assets to our country, and Thumbs Up U.S.A., a cheerful, spirit-uplifting salute by renowned bandmaster-composer, Karl L. King. Maestro King contributes two other sterling entries to this album, the bright and imaginative Ponderoso and the oriental-flavored march honoring Cyrus The Great. Composer Fred Jewell is represented by two of his more lustier interpretations – Scoutmaster and The Screamer. The program also spotlights the mysterious and provocative Jungle Jump and the intriguing concert selection King Arthur, which are contrasted by the grandiose overtures Fable and Overture Classique... all are expertly performed by the All-American Band, under the direction of Robert A. Williams.