It's important when encountering this album for the first time to think of it as a dry run for film soundtracking rather than as a straight-up techno effort ? because viewed through the latter lens, This Film's Crap is actually not much. Thus the lengthy opener No Man's Land, opening with pure Third Man\u002FSpy Who Came in From the Cold dynamics ? bells, solitary footsteps, a moody late-night vibe ? and developing into a more mainstream and less classically-oriented version of In the Nursery's majestic work. Even the military snare drums that suggest that band's crisp approach are here, used rather well at that. Other fine cuts that hit the balance between modern sheen and black-and-white-era thriller include Inspired by Leyburn, with a particularly great John Barry\u002FEnnio Morricone guitar figure courtesy of Steve Hillage, and the closing Coming Home to the Sun.