Si Salvi Chi Vuole

Si Salvi Chi Vuole

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EioMoicoe专辑介绍:fuheifomaioLimiedediioof500copiessoyDieco:RobeoFaezaCas:GasoeMoschi,ClaudiaCadiale,EicoVecchi,IlaiaVecc......

Ennio Morricone专辑介绍:further informationLimited edition of 500 copiesstoryDirector:Roberto FaenzaCast:Gastone Moschin, Claudia Cardinale, Enrico Vecchi, Ilaria Vecchi, Francesco De Rosa, Giorgio Celli, Luisa Morandini, Mattia PinoliSI SALVI CHI VUOLE Review by Didier ThunusWhen Ennio Morricone brings in a bassoon, a mandolin, a recorder, percussions, and various instruments of the same families, we know what he is up to, and it's enough to make a fan's mouth water. We can expect a highlight like the ones he achieved with Sai cosa faceva Stalin alle donne (1969), Quando le donne avevano la coda (1970), Anche se volessi lavorare che faccio? (1972), Buone notizie (1979), and many more.And Si salvi chi vuole (1980) is not a disappointment: the main title is vintage Morricone, fresh, bouncy and inventive. Irony is there from the first second, and Ennio Morricone builds up a tremendous piece, introducing the instruments one by one, to bring us through a musical trip of the best effect. Halfway, the theme becomes more aggressive, before resolving back to the first part. This is Ennio Morricone of the Seventies at his best.Director Roberto Faenza has been working with the Maestro during 27 years, on all of his 8 movies until 1995 : from Escalation and H2S (both 1968) to Sostiene Pereira (1995). This collaboration ended abruptly with Marianna Ucrìa (1997), for which Morricone was credited during pre-production, but where the composer credit eventually went to Franco Piersanti. A quarrel maybe, or simply a friendly farewell. Faenza is still very active these days, but usually calling Paolo Buonvino to score his movies. Now a safe bet in Italian cinema, Faenza was once the most controversial amongst the directors of the peninsula. Each of his movies had its spare of bans, slaughters or censorship. Forza Italia (1978) is a good example, but Si salvi chi vuole wasn't an exception, and had him move to the US to make his next movie (Copkiller, 1984).\tThe Italian title means more or less “save yourself if you want”, in reference to the expression “si salvi chi può” (roughly “save yourself if you can”, or in other words “run for your life”). The movie is a satirical comedy where Gastone Moschin plays the father and Claudia Cardinale the mother of a left-wing family whose universe collpases with the arrival in their home of an epicurean character, whose lifestyle will thrash their convictions.