by Denise SullivanHenry has often made stylistic departures, so Fuse shouldn't be all that shocking. Yet, Fat sounds freaky till the beats soak in; the faux soul of Want Too Much is cloying. But ultimately, the new groove-a-delic Henry knows how to work the sound as he mixes and matches old and new, as on the Dylan-y bits with a millennial backing track (Daniel Lanois and T-Bone Burnett step in to mix); the subtle, catchy chorus in the opener Monkey; the laid-back and fuzzy Angels; and the fantastically evocative and poetic mysticism in the title song. There's upbeat melodicism in (I love you with my) Skin and Teeth. But why that George Benson-like guitar solo during Curt Flood?