The grand opener We Belong to the Night is breathtaking and bombastic bliss; a creamy confection of debonair dreams that could only come from the late '70s and the glitter-gutter combo of Mick Ronson and Ian Hunter. The princely poppers provide the perfect atmosphere for Foley's powerful theatrics on her inaugural flight. The second single, What's a Matter Baby, soars just as high in the stratosphere: a little bit '50s, but a whole lot cosmic. It's a crime music which hides in the recesses of the past, because this gem is priceless, if only for the first two tracks. Ronson's axe is exemplary throughout: shooting over Mars and then swooping back through nocturnal cityscapes. He twists Heartful of Soul into Young Lust and makes a break for it in Hide Away. Obviously haunted by midnight Spectors, kindred spirit Hunter supplies the perfect keyboard counterpart: mission control for Ronson's rockets. The swirling storm whipping through Gram Parker's Thunder and Rain builds to an almost unbearable compre